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Wow,Look at Mr. Milstein's position- no shoulder rest and the violin is so low. I will find a YouTube of Jascha Heifetz and we can compare. How beautiful! How fortunate I am to have read this poem! Thank you for adding to my life this exalted outpouring of thoughts so gorgeously put into words! I was 11 years old, spending several weeks in the summer with my grandmother in the Berkshires western MA , and she insisted that I attend the last concert of the season, Beethoven's 9th.
I did not want to go, we negotiated, and I finally agreed to go if I could take the book I was reading on German U-Boats this was about She said yes.
I very happily read through through the first three movements, essentially oblivious to the music, completely absorbed in submarine warfare. At the end of the 3rd movement, my grandmother violated our contract. She made me close the book. So I had to listen. What I heard was the most beautiful sound I had ever heard!
I was completely transfixed by the orchestra, by the voices, by Charles Munch. As they all came the gorgeous finish of the symphony I found myself spontaneously on my feet, hands fixed to clap furiously, but I couldn't.
Someone had grabbed by left wrist and was pulling it. It was my grandmother. And now, at the end of the concert, I am usually on my feet and clapping, and often the last to stop. It was the summer of when I was a member of the Northwestern University Choral Union, which on various occasions would serve as the chorus for the Chicago Symphony Orchestra.
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This was prior to the founding of the Chicago Symnphony Chorus under the direction of Margaret Hillis. We had rehearsed for a couple of weeks Beethoven's 9th Symphony and finally the day came when Charles Munch came to Evanston for our first rehearsal. We began singing the opening chorus section of the 4th movement and Maestro Munch stopped abruptly and asked: "What are you singing?
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Is it English? At the performance at Ravinia a week or so later, the critics remarked on the bi-lingual nature of the performance, but agreed that it was really not a problem. Comment was made that in the vocal relay-race between the chorus and the soloists on the text: "All mankind, alle menschen, all mankind, alle menscneh, that alle menschen won out at the end.
Edwin A. Hollatz, Wheaton, IL. Correction to the above post. In checking out google for my previous Beethoven Memory posting I just discovered that it was not Charles Munch but Pierre Monteux who was the conductor of the performance of Beethoven's Ninth Syimphony at Ravinia.
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I also discovered that the precise date was July 21, One sees from the Ravinia programs that Monteux performed a greater variety of music there than at the Stadium or the Dell summertime venues. Perhaps because he was leading the Chicago Symphony and not a pseudonymous group with many substitutes, he felt comfortable in playing a wider repertoire.
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Also, Ravinia allowed for a bit more rehearsal time than did the other places. For fifty years the Chicago Symphony's principal trumpeter was Adolph Bud Herseth, who retired in Herseth has stated that Monteux was his favorite of all the conductors he played with, for many reasons—his profound knowledge of every score he conducted, the diversity of his repertoire, his very acute ear, his no-nonsense style of rehearsing, the great clarity of his beat, his unpretentiousness, his sense of humor, and the fact that he was "a strong and gentle ruler.
Anyone who has seen Herseth Play knows that his face turns bright red in strenuous passages. Such was the case in the trio of the Seventh's Scherzo, where the trumpet must sustain a High A fortissimo over several measures. Observing Herseth's crimson visage, Monteux stopped the orchestra, pointed to his own face, and said, "Monsieur Herseth, you should put on some powder.
Pages , Chapter 17 "Summertime. One sees from the Ravinia programs that Monteax performed a greater variety of music there than at the Stadium or the Dell summertime venues. Herseth has stated that Monteux was his favorite of all the conductors he played with, for many reasons—his profound knowledge of every score he conducted, the diversity of his repertoire, his very acute ear, his no-nonsense style of rehearsing, the great clarity of his beat, his unpretentiousness,his sense of humor, and the fact that he was "a strong and gentle ruler.
We had rehearsed for a couple of weeks Beethoven's 9th Symphony and finally the day came when Pierre Monteux came to Evanston for our first rehearsal. At the performance at Ravinia on July 21, , the critics remarked on the bi-lingual nature of the performance, but agreed that it was really not a problem. Comment was made that in the vocal relay-race between the chorus and the soloists on the text: "All mankind, alle menschen, all mankind, alle menschen, that alle menschen won out at the end. I shall forever treasure the many memories of singing with the Northwestern Summer Choral Union from to Edwin A.
It is Sunday morning, here on the central Oregon coast. I absolutely HATE squirrels.
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They keep the birds away. Comes now this piece by Janacek, the Concertina, preceded by the wonderfully informative commentary. Thanks to that commentary, as I listen, there is no doubt in my mind what animal is being depicted. This might change my feelings about the squirrels…. But what a fabulous piece of music, I would never have known about, had I not happened to be tuned in this morning.
This literally took my breath away!
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I always wanted to play the organ but I had no idea how much physical coordination and flexibility were involved. He was just as great then as he is in the YouTube clip. He is a personable young man who interacted with members of the audience. He introduced himself to me and shook hands before the concert began. He is very intelligent and gave us information about the compositions he would be playing. He never has a set program but creates as he goes according to the audience and the setting. As shown in the clip, he plays from memory — no piece of sheet music was seen.
He has great talent and speed,I agree. What he lacks in many performances is restraint,musicianship, and maturity. I bought his CD and quickly grew tired of it.
https://imarkese.tk There are so many better organists who go unrecognized because they are not as flamboyant as Mr. He also seems to have something against pipe organs,preferring electronic versions that come close but in the end,will never equal the best pipe organs. Jed Distler, ClassicsToday. He supervised many technical transitions, from the days of reel-to-reel recorders and editing with razor blades and splicing tape to multitrack computer recording and editing.
Gordon has always been on the cutting edge of technological development. Congratulations on an exceptional career! Gordon was fantastic. I learned so much from him. Because of Gordon and his team, WFMT has the finest and the highest quality broadcast signal of any radio station.
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Any gigs requiring an experienced, freelance, on-location recording engineer, with his own gear, to help out? The series was a presenter for Make Music Chicago and the cathedral a sponsor of it. The only time I was there, I walked IN the ring, a few days before full power was turned on for the initial acceleration cycle.
Thanks for the update.